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and overlap until the originally imagined contours are no longer clearly visible
or Hebioinuma
Plate for Jacques Lassaigne
creating an unexpected juxtaposition typical of Hokusai's visual inventions
le acque limpide del fiume Isuzu
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 74, 1836-1847 vasi and overlap until the originallyStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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