HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 63, 1836-1847 sculture A production possible only after

A production possible only after numerous tests and experiments that take into account the infinite diversity of the properties of the materials

The contrast between the rigidity of the wooden architecture and the concentrated energy of human gestures enhances the perception of shared effort and the coordination necessary for the work

nor the typical tabletop structure of these instruments

which means “husband and wife rocks” is a very famous place in Japan

Do not hesitate to contact us for any doubts or requests

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 63, 1836-1847 sculture A production possible only afterStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New